One From the Vault

I’ve been listening to a live recording of a band I used to be in, Space Crime Quintet, quite a bit lately. It’s nice to be able to listen to something objectively since you’ve been away from it for a few years. And damnit if that wasn’t a pretty tight little combo. The main songwriter of SCQ, Jeff Holt, is a talented mofo. He currently plays bass in The Silent Kids and recently resurrected a former band, The Bus Drivers for at least one show (more, please). I think all of the ATLians should convince Jeff to start playing his own music out more often. It’s some damn fine stuff.

Here’s one of the songs from that live recording. If you want a copy of the performance, let me know and I’ll burn you one (as long as you pick it up from me or pay for postage).

We Thought We Saw a Flying Saucer (mp3)

Merge

I really, really, really want to go to the Merge Records 15th Anniversary Festival.

Here’s the lineup:

7/29 – Thursday (Cat’s Cradle, Carrboro, NC):

SUPERCHUNK
M. WARD
THE ESSEX GREEN
RICHARD BUCKNER
THE ROSEBUDS

7/30 – Friday (Cats Cradle, Carrboro NC):

CROOKED FINGERS
CAMERA OBSCURA
VERSUS
RADAR BROTHERS
PORTASTATIC
DOUBLE DYNAMITE

7/31 – Saturday (Cat’s Cradle, Carrboro, NC):

SPOON
DESTROYER
THE LADYBUG TRANSISTOR
MATT SUGGS & THE HIGHER BURNING FIRE
SHARK QUEST

8/1 – Sunday (Carolina Theatre – Durham, NC):

LAMBCHOP (full-on Lambchop, w/string section accompaniment)
THE CLIENTELE
DAVID KILGOUR

Damn!

5o Foot Wave

Tonight is the first show of a 6 week tour for Kristin Hersh’s new band, 50 Foot Wave. This new project from the Throwing Muses singer is a hard-rocking beast, or as they say on their web site, “harder, faster, more intense and built from the ground up to be a band to see live”. This is an interesting approach for Hersh—as her most recent efforts have been mostly acoustic. I think it’s a great idea to go in this direction and look forward to seeing them live if they come through Atlanta (their tour schedule is still being tweaked).

This band is most definitely rocking. I heard some rough mixes of their new ep when I was in LA last year visiting my sister (she works for Kristin’s family), and it kicks mucho ass. I don’t know where they found the drummer, Rob Ahlers, but he is insanely good. L’~ (as the cool kids have already started using as a shortcut) will pummel you into submission as Kristin’s vocals reverberate from that otherworldy place that only she inhabits. Oh yeah, and they’re a three piece! The return of the power trio at last!

Good luck Kristin (and family). May you rock the good people from coast to coast. I’m going to go buy your ep right now.

Buy the 50 Foot Wave ep

Wake Up!

I’ve only experienced this a few times, but it’s always really cool and disorienting at the same time. My clock radio woke me up this morning with my band blaring back at me.

It’s a weird sensation because you know the song so well (almost before you consciously realize that this song is coming from outside of your head), but it’s not just the tune, it’s the sound. The guitar tone, the room sound, the snare crack are so stuck in your head from listening to the song over and over again during mix down that you will always instantly recognize it from the millisecond that the sound waves enter your ear.

Add to the equation that you just came out of a dream and you can see why this is such an odd way to wake up.

KEXP

KEXP has been seriously kicking my ass lately. Such a damn good radio station. I’ve got my winamp set to their stream and have been listening to it every day at work.

Right now, they are playing a Pixies block in anticipation of the upcoming shows and will do so every morning until they’ve played every recorded Pixies song. Pretty damn cool.

The coolest thing is that they keep a very well documented playlist of everything they play. I have one of the tabs on my browser set to the playlist page and if I like something I’ll just go check it and know instantly what I’m hearing. I have already been turned on to a new band because of this. Oh yeah, they also archive all of their live performances.

Damn, and the DJ is talking about my friend Jeff Barnes right now! Too cool.

Anyway, I suggest you check out this excellent radio station. You will definitely hear something you like.

Pixies

I’m going to be a typical blogger right now and talk about the Pixies reunion. Please bear with me.

So, it’s official. The Pixies have at least one scheduled show in 2004, at the Coachella Festival in Indio, California on May 1st.

There is no reason for me not to be really excited about this reunion, but somehow I’m not. I definitely want to see them play again and hope it will be real fun. I’ve seen the Pixies twice (Doolittle and Trompe le Monde tours) and even staged a night of Doolittle at a local club in 2002. I’m a huge Pixies fan. There’s just something about this reunion that smells funny.

I have it on pretty good authority that this reunion tour is only about the money and that Black Francis and Kim Deal haven’t really spoken since the band broke up around 13 years ago. I know that everyone knows all reunion tours are about the money, but this one seems like such a cash grab that it really rubs me the wrong way. The fact that Frank Black needs a new house is not a good reason to plan a reunion tour. (By the way, needing a new house is a good reason to plan a tour for your current band, but I digress.)

Maybe I’m being a little too cynical. I don’t know, I just wish there was even the slightest glimmer of artistic reasons or a reconciliation of Kim and Frank that was the impetus for getting the band back together and playing again. Otherwise, it just seems so hollow.

Maybe this tour will be amazing and a love-fest and I’ll be proven wrong. I sincerely hope so. But part of me just wants to stay home and listen to the albums.

Recording!

Magnapop made our first step toward creating a new album yesterday. We did some pre-production work on three songs in a friend’s new demo studio in beautiful Little Five Points in Atlanta, GA.

I’m really excited to be working on this recording and look forward to making the best damn album we can. I think we’re going about the process in an intelligent way, trying to figure out how to use the studio as another instrument and not just book some time in an expensive studio and record the songs. We are practicing the recording process while it’s still cheap and will be able to use this experience and the ideas that come out of it when we go spend the big bucks. This will allow us to try more ideas and figure out what works and what doesn’t.

My last experience recording an album on this scale was way back in October, 1996 with my band Marcy. The whole band went to upstate New York for over a month and recorded/lived in this amazing studio called Sweetfish with Dave Fridmann (Flaming Lips, Weezer, Mercury Rev) producing. It was a dream situation. We spent three weeks tracking the album and one week of mix down.

Unfortunately, the experience was a little too much for our band and the process ultimately led to our break up. The album came out, but Marcy didn’t survive and we all went on to other things. We were just a little bit too young at the time and weren’t ready to be away from our normal lives for that long and be under the pressure of creative expectations and record label politics. I think if we had recorded the album at home, we could have survived with our sanity intact. I know we all have no regrets, though, and are just thankful that we had the experience.

The Magnapop album won’t have as big a budget and no official producer, so we will be more reliant on ourselves for discipline and planning. The big difference is maturity. Magnapop have so much collective experience at this point that I am confident we can create a great album on our own. The current plan is to continue recording demos for a few more weeks and then start recording the “real” thing in February after we get the moolah from the label. We will probably be using three different studios around Georgia. I’m going to try and write about as much of the process as possible on these pages, so stay tuned.

It Still Sucks

A funny thing happened to me yesterday. A song that was playing on my stereo annoyed me so much I had to stop what I was doing and go remove the CD from the player.

The song was off of My Morning Jacket’s It Still Moves, an album I bought because I wanted to try something new and had heard some good talk about the band.

I tried to like the album, I really did. I played it on my commute (1.5 hours round trip) for about three days. When that didn’t work, I took a break for about a week and tried again. No luck. This album sucks.

People talk about how great the singer’s voice is and how it’s so cool that the songs are bathed in an amazing amount of reverb. I just keep thinking how much it sounds like the Steve Miller Band.

It’s very puzzling to me because I have a very broad taste in music. I can listen to almost anything and find some redeeming qualities. But this band grates my very last nerve. Maybe it’s the fact that most songs are about 6-7 minutes long. Not because they have so much to say, more because they want to just “jam out” for no particular reason. I have never heard such pointless music. It seriously turns my stomach.

So, if anyone wants a slightly used My Morning Jacket album, let me know. I’ll sell it real cheap.